Wednesday, August 9, 2023

Modular Concrete Double Track Bridge with Catenary Option N Scale 1/160

A new set of N Scale modular bridge components is available at Shapeways

https://www.shapeways.com/shops/bonevalley?section=N+Concrete+Double+Catenary&s=0

The bridge is based on the Gunpowder and Bush River Amtrak catenary Bridges in Maryland. There are several modular parts to choose from to make the bridge the size you want. 

All the parts are available in White Versatile Plastic, which is strong but has a grainy surface texture. The smaller parts are also available in Tan Fine Detail Plastic.






Tuesday, March 28, 2023

Shapeways New Gray Fine Detail Plastic

I had an N scale concrete bridge section printed out in Shapeways' new Gray Fine Detail Plastic to test it out. Overall, I like it better than the regular fine detail plastic. It still has layer lines, but they are fine and sandable. And there is a tiny bit of leftover support wax in some crevices that will make me give it a Bestine soak before painting. The pricing is similar to regular fine detail plastic, but depending on how much wax support a given print requires will determine if it costs more or less than regular. (Update August 2023, the gray has been replaced with a tan color. I liked the gray color better but tan is fine.)



Sunday, December 4, 2022

Friday, August 19, 2022

Cheap Model Railroad Backdrops Using Zazzle?

I’ve been looking for cheap, affordable options for printing custom photo backdrops. There are plenty of expensive good options but not cheap. In the past, I printed my own backdrops using my own 13” wide inkjet printer. But maintaining inkjet printers is wasteful and annoying and the prints aren’t waterproof using normal ink. There were too many times I had to do a reprint due to an errant drop of water marking up my inkjet backdrops. Plus, my 13” wide inkjet printer stopped working properly recently giving me errors repeatedly. So I decided to stop using it and move on. For me, laser printers only for home printing from now on. After looking around at print options, I decided to give Zazzle a try.

Zazzle’s normal prices aren’t that great but they frequently have 50% off sales. I tried 3 of their products to test if any would work as backdrops: their Value Poster Paper (Matte), Indoor Vinyl Banner, and Matte Wrapping Paper.

Value Poster Paper (glare)

First I tried the Value Poster Paper (Matte). Value Poster Paper (Matte) is not matte at all; it is glossy. Value Poster Paper would work as a printed water surface but it just has too much glare to make for a good sky backdrop. The paper thickness is nonetheless decent. Zazzle has other poster paper options, but for the price none fit the bill as cheap and affordable for the scales needed for backdrops.

Indoor Vinyl Banner (edge)

Indoor Vinyl Banner (back texture)

Indoor Vinyl Banner (front)

Second I tried the Indoor Vinyl Banner. The Indoor Vinyl Banner is more of a satin finish than glossy but still not matte. The vinyl is a good thickness but flimsy; it can be easily mounted to a solid surface with spray adhesive though. The main flaw is that although the front of the vinyl is smooth, the back is textured with rectangles that measure around 1.5mm x 3mm. Those rectangles are visible on the front of the raw white vinyl; the rectangles disappear on areas printed in dark-colors but are visible up close on areas printed in light-colors. Also, the edges are folded and crimped after the banner is printed, which isn’t an exact science and leaves textured edges that can be a bit warped; to be safe, leave 4 inches of space (you could probably get away with 3 inches) from the edge around anything you want printed so it won’t be ruined by the folded and crimped edges. Then you can cut the folded, crimped edges off with an X-Acto knife and a straight edge. Overall, not a great backdrop material except for durability.

Matte Wrapping Paper Sheet (no glare)

Finally I tried the Matte Wrapping Paper. The Matte Wrapping Paper actually works well; it is just wrapping paper and so not very durable but it is sufficiently matte and the ink is waterproof. The lack of durability can be remedied by mounting it with spray adhesive to a hard, smooth surface. The wrapping paper comes in rolls as short as 30 inches by 6 feet and as long as 30 inches by 60 feet. The length relative to price per square foot would be an amazing option if the design wasn’t limited to 30 inches x 36 inches tiled and repeated. There is also a 19.5" x 28.5" 3 sheet option where each sheet can have a different design; the only difference between the sheets and the rolls, other than size, is that the sheets have a grid and Zazzle logo printed on the back making them unfit if you want to backlight the print, since the back printing would show though. Conversely, the rolls are blank white on the back. On sale, the Matte Wrapping Paper, despite its repeating pattern limitation, is a decent backdrop option. And it looks like it is what I’ll choose next time I need a backdrop.

I went ahead and created a clear sky backdrop design whiter near the horizon and deeper blue higher up that you can order from Zazzle if you wish. Look out for sales; 60% off is the most I’ve ever seen. And they have a yearly $9.99 Zazzle Black membership option which comes with free shipping. The Black membership is worth it if you make more than one order a year from Zazzle.

Here is a link to the sky backdrop wrapping paper. And I also made a sky that can be cut in half into two 15 inch high sky backdrops. Don’t want to wait for a sale? Use this referral link for a 30% discount on any stuff you order using Zazzle for the first time. 



Saturday, August 13, 2022

The Holographic Future of Model Railroading

I have seen the future of model railroading and it is digital. The future isn’t quite here yet, but it is just a matter of holographic displays getting good enough and cheap enough. Once displays are good enough, then it will just be a matter of creating model railroading software to simulate model railroading virtually on a holographic display.

A virtual holographic model railroad is the only way to achieve my ideal model railroad in terms of space, money, and physics; like flowing water, changing weather, animated people, vehicles and animals, trains hundreds of cars long that won’t derail, and loading and unloading trains.

Virtual reality model railroading currently exists with the game Rolling Line. But my preference is for holographic model railroading and for realism more akin to Train Sim World.

The way I envision a holographic model railroad is one display per operator. I envision software that allows building a fully customizable layout (perhaps built using Unreal Engine and probably ideally open sourced so modelers aren’t at the mercy of a software company). The software must allow a layout to be divided into scenes since that is how they must be viewed on the holographic display to mimic a physical model railroad; like looking through the window of a shadowbox diorama. However, this shadow box will extend to the horizon in all directions. Different scenes could have different scales. The visceral experience will be indistinguishable from dealing with a physical model, except that the model will be behind glass and so untouchable.

Here are some videos of potential holographic display approaches.



https://youtu.be/mxhcPm6PwME

https://youtu.be/_TnNSkRUPLw

https://youtu.be/sddDhYmBuV8

Holographic model railroading is still in the future. In the meantime, I’ll continue to tinker with 3D printing as a means of modeling; especially since 3D printable models will also be usable with a virtual holographic layout. But I’m eager to skip the costly and time consuming aggravation of physicality and go fully digital as soon as possible.

Sunday, November 1, 2020

Vistas from the new Bone Valley

Check out the December 2020 issue of Model Railroader magazine to see the latest version of my small Bone Valley layout. Here are a few images of scenes that didn't fit into the article. An article explaining how I produced the background lightning effect was supposed to appear in the magazine before the layout article, but that didn't happen. So I don't know when that article will ever appear.



Valrico Jct.


Friday, August 14, 2020

Resin 3D Printing

Some parts I've printed so far.

I recently finally bit the bullet and got a resin 3D printer, a Phrozen Sonic Mini. https://amzn.to/3h76Pvw Three main things came together that made me finally take the plunge: cheaper prices, water-washable resin https://amzn.to/2OxjEDq , and mono screens for faster printing. The mono screen leading to faster prints is why I went with the Phrozen Sonic Mini. The only thing I really don’t like about the Phrozen Sonic Mini so far is the flat-backed build plate which is messy. But I remedied that somewhat by printing out an angled back in PLA plastic using my FDM 3D printer.

Anyway here is everything I’ve learned so far.

Level the built plate to the FEP film https://amzn.to/3fMs3hW with the vat on the machine instead of using paper. Also I give the FEP film a coat of 3in1 PTFE lubricant https://amzn.to/30icoR5 whenever I clean out the vat. https://youtu.be/NYK_8aEpUCY  

I have my printer set up in my garage and that means when the garage door is open plenty of light can get in. So, when the printer is not in use but I know I’ll be using the machine again in a few days I’ve been leaving the leftover resin in the vat and storing the vat and the build plate in their own tin containers which keeps them totally free of light. Doing that not only assures no light starts curing the resin but keeps me from having to empty/clean the vat; it also eliminates any potential resin leaks onto the screen. You do not want resin on the screen, especially since it can leak down into the machine. When going to use the stored resin vat again, I carefully stir up resin before starting a new print.

Use a 1 or 2 layer sheet file that fills up most of the build plate on every print. It uses up very little resin, makes for more reliable adhesion for all the parts on the build plate, makes clearing off the build plate easier when the print is done, and better assures nothing sticks to the FEP film instead of the build plate. So, for instance, I like to put a 0.05 mm or 0.1 mm sheet down when printing with a layer height of 0.05. Printing objects directly to the build plate is often problematic due to the first several layers needing to be overexposed to assure the parts adhere to the build plate; that translates into the parts being too thick (over-sized) the first few layers. 

Watch this video to see the technique I used to figure out the best resin exposure settings for my printer. https://youtu.be/r9GwPEJ8Lq8  My only issue with this technique is that the stl file used has some details so fine that they can cause floaters to break off into the resin until the settings are dialed in just right.

I’ve only been using water washable resin (Phrozen Water-Washable Rapid Resin Gray), so I can’t compare it to anything else. All I know is that it has worked well enough for me as long as the model is not hollow; hollow prints eventually crack; light has to be able to reach every surface for the final curing. Other than water for cleaning the prints, I use Sprayway glass cleaner https://amzn.to/2CL0Bm4  for cleaning the vat and build plate. And I also use Mean Green for cleaning, which can also be used as a substitute for isopropyl alcohol (IPA) for alcohol wash resins. I use lots of paper towels and shop towels. And I reuse lightly used paper towels and shop towels by setting them in the sun for a few minutes to cure any resin they have on them. Gloves are needed but you can often avoid using them if you set up a neat cleaning procedure. I use needle nose pliers to touch the uncured resin, so I rarely need to put on gloves. I grab a razor blade with needle nose pliers to get the prints to start peeling away from the build plate. Then I hold the print with needle nose pliers and spray the print down with compressed air. I use a compressor tank but canned duster air works too. Then I swish the print around in a container of water for a minute; I remove it, rinse it again in a cleaner tub of water, remove it, spray with air again and let it dry. I mostly cure prints in the sun but have an LED UV light https://amzn.to/3h5pFDl  for cloudy days and nights and for getting into crevasses. Sometimes I cure the prints in a clear jar filled with water to get better light refraction and spread.

I use 190 micron paper paint strainers https://amzn.to/2ZyNxJw for pouring resin from the vat back into the resin bottle. I just strain the resin from the vat to a temporary container if I’m just going to put it back in the vat. I do a strain like that every time I know or suspect that a part broke off while printing and is floating around somewhere in the vat. Floating cured resin pieces are recipes for problems. The paint strainers can be used multiple times. I just give the mesh section a quick swish in water and then set the filter out in the sun for a few minutes to assure any remaining resin cures. That starts to turn the paper strainers into plastic strainers.

Supports are tricky. You want your model well supported but don’t want the model overwhelmed with leftover bumps from supports. Angling models on both the X/Y and Z axes at 30-45 degrees usually reduces the need for supports, especially on rectangular objects. But the smoothest edges come from flat planes perpendicular to the screen. The curing screen is made of pixels and straight lines only come at 90 degree angles. That means that if you are printing a freight car with flat sides, you’d want to keep those sides un-angled and at 90 degrees to the screen, parallel to the screen’s pixels. Otherwise, the pixels create a fine grain texture on the model; the texture can be easy to sand down though so it isn’t always an issue. I use the free program Chitubox for making supports but also sometimes design my own supports into models for more exact supports. You don’t want islands and long unsupported layers. To learn more about making supports that won’t result in failed prints and floating parts in your resin vat, I recommend this video. https://youtu.be/sBAlZwZtiEQ

Overall, you won’t be able to avoid a certain amount of trial and error before you get well versed in resin 3D printing. I’ve found dimensional accuracy is hit and miss, so don’t expect parts to fit tightly together perfectly without tinkering. If you don’t print a lot and don’t do your own designs, Shapeways is still way easier, even with the less than ideal price structure, waxy detail plastic (the wax supports are actually great compared to resin supports and cleaning resin in my opinion), and shipping costs. Overall, home resin printing is useful but it is nowhere near as great as I was hoping.

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