Saturday, August 13, 2022

The Holographic Future of Model Railroading

I have seen the future of model railroading and it is digital. The future isn’t quite here yet, but it is just a matter of holographic displays getting good enough and cheap enough. Once displays are good enough, then it will just be a matter of creating model railroading software to simulate model railroading virtually on a holographic display.

A virtual holographic model railroad is the only way to achieve my ideal model railroad in terms of space, money, and physics; like flowing water, changing weather, animated people, vehicles and animals, trains hundreds of cars long that won’t derail, and loading and unloading trains.

Virtual reality model railroading currently exists with the game Rolling Line. But my preference is for holographic model railroading and for realism more akin to Train Sim World.

The way I envision a holographic model railroad is one display per operator. I envision software that allows building a fully customizable layout (perhaps built using Unreal Engine and probably ideally open sourced so modelers aren’t at the mercy of a software company). The software must allow a layout to be divided into scenes since that is how they must be viewed on the holographic display to mimic a physical model railroad; like looking through the window of a shadowbox diorama. However, this shadow box will extend to the horizon in all directions. Different scenes could have different scales. The visceral experience will be indistinguishable from dealing with a physical model, except that the model will be behind glass and so untouchable.

Here are some videos of potential holographic display approaches.



https://youtu.be/mxhcPm6PwME

https://youtu.be/_TnNSkRUPLw

https://youtu.be/sddDhYmBuV8

Holographic model railroading is still in the future. In the meantime, I’ll continue to tinker with 3D printing as a means of modeling; especially since 3D printable models will also be usable with a virtual holographic layout. But I’m eager to skip the costly and time consuming aggravation of physicality and go fully digital as soon as possible.

Sunday, November 1, 2020

Vistas from the new Bone Valley

Check out the December 2020 issue of Model Railroader magazine to see the latest version of my small Bone Valley layout. Here are a few images of scenes that didn't fit into the article. An article explaining how I produced the background lightning effect was supposed to appear in the magazine before the layout article, but that didn't happen. So I don't know when that article will ever appear.



Valrico Jct.


Friday, August 14, 2020

Resin 3D Printing

Some parts I've printed so far.

I recently finally bit the bullet and got a resin 3D printer, a Phrozen Sonic Mini. https://amzn.to/3h76Pvw Three main things came together that made me finally take the plunge: cheaper prices, water-washable resin https://amzn.to/2OxjEDq , and mono screens for faster printing. The mono screen leading to faster prints is why I went with the Phrozen Sonic Mini. The only thing I really don’t like about the Phrozen Sonic Mini so far is the flat-backed build plate which is messy. But I remedied that somewhat by printing out an angled back in PLA plastic using my FDM 3D printer.

Anyway here is everything I’ve learned so far.

Level the built plate to the FEP film https://amzn.to/3fMs3hW with the vat on the machine instead of using paper. Also I give the FEP film a coat of 3in1 PTFE lubricant https://amzn.to/30icoR5 whenever I clean out the vat. https://youtu.be/NYK_8aEpUCY  

I have my printer set up in my garage and that means when the garage door is open plenty of light can get in. So, when the printer is not in use but I know I’ll be using the machine again in a few days I’ve been leaving the leftover resin in the vat and storing the vat and the build plate in their own tin containers which keeps them totally free of light. Doing that not only assures no light starts curing the resin but keeps me from having to empty/clean the vat; it also eliminates any potential resin leaks onto the screen. You do not want resin on the screen, especially since it can leak down into the machine. When going to use the stored resin vat again, I carefully stir up resin before starting a new print.

Use a 1 or 2 layer sheet file that fills up most of the build plate on every print. It uses up very little resin, makes for more reliable adhesion for all the parts on the build plate, makes clearing off the build plate easier when the print is done, and better assures nothing sticks to the FEP film instead of the build plate. So, for instance, I like to put a 0.05 mm or 0.1 mm sheet down when printing with a layer height of 0.05. Printing objects directly to the build plate is often problematic due to the first several layers needing to be overexposed to assure the parts adhere to the build plate; that translates into the parts being too thick (over-sized) the first few layers. 

Watch this video to see the technique I used to figure out the best resin exposure settings for my printer. https://youtu.be/r9GwPEJ8Lq8  My only issue with this technique is that the stl file used has some details so fine that they can cause floaters to break off into the resin until the settings are dialed in just right.

I’ve only been using water washable resin (Phrozen Water-Washable Rapid Resin Gray), so I can’t compare it to anything else. All I know is that it has worked well enough for me as long as the model is not hollow; hollow prints eventually crack; light has to be able to reach every surface for the final curing. Other than water for cleaning the prints, I use Sprayway glass cleaner https://amzn.to/2CL0Bm4  for cleaning the vat and build plate. And I also use Mean Green for cleaning, which can also be used as a substitute for isopropyl alcohol (IPA) for alcohol wash resins. I use lots of paper towels and shop towels. And I reuse lightly used paper towels and shop towels by setting them in the sun for a few minutes to cure any resin they have on them. Gloves are needed but you can often avoid using them if you set up a neat cleaning procedure. I use needle nose pliers to touch the uncured resin, so I rarely need to put on gloves. I grab a razor blade with needle nose pliers to get the prints to start peeling away from the build plate. Then I hold the print with needle nose pliers and spray the print down with compressed air. I use a compressor tank but canned duster air works too. Then I swish the print around in a container of water for a minute; I remove it, rinse it again in a cleaner tub of water, remove it, spray with air again and let it dry. I mostly cure prints in the sun but have an LED UV light https://amzn.to/3h5pFDl  for cloudy days and nights and for getting into crevasses. Sometimes I cure the prints in a clear jar filled with water to get better light refraction and spread.

I use 190 micron paper paint strainers https://amzn.to/2ZyNxJw for pouring resin from the vat back into the resin bottle. I just strain the resin from the vat to a temporary container if I’m just going to put it back in the vat. I do a strain like that every time I know or suspect that a part broke off while printing and is floating around somewhere in the vat. Floating cured resin pieces are recipes for problems. The paint strainers can be used multiple times. I just give the mesh section a quick swish in water and then set the filter out in the sun for a few minutes to assure any remaining resin cures. That starts to turn the paper strainers into plastic strainers.

Supports are tricky. You want your model well supported but don’t want the model overwhelmed with leftover bumps from supports. Angling models on both the X/Y and Z axes at 30-45 degrees usually reduces the need for supports, especially on rectangular objects. But the smoothest edges come from flat planes perpendicular to the screen. The curing screen is made of pixels and straight lines only come at 90 degree angles. That means that if you are printing a freight car with flat sides, you’d want to keep those sides un-angled and at 90 degrees to the screen, parallel to the screen’s pixels. Otherwise, the pixels create a fine grain texture on the model; the texture can be easy to sand down though so it isn’t always an issue. I use the free program Chitubox for making supports but also sometimes design my own supports into models for more exact supports. You don’t want islands and long unsupported layers. To learn more about making supports that won’t result in failed prints and floating parts in your resin vat, I recommend this video. https://youtu.be/sBAlZwZtiEQ

Overall, you won’t be able to avoid a certain amount of trial and error before you get well versed in resin 3D printing. I’ve found dimensional accuracy is hit and miss, so don’t expect parts to fit tightly together perfectly without tinkering. If you don’t print a lot and don’t do your own designs, Shapeways is still way easier, even with the less than ideal price structure, waxy detail plastic (the wax supports are actually great compared to resin supports and cleaning resin in my opinion), and shipping costs. Overall, home resin printing is useful but it is nowhere near as great as I was hoping.

If buying anything mentioned in this post on Amazon or buying anything ever on Amazon, use my links to get there. And if you don’t use my links, use someone’s because it is dumb not to do so. If you go to Amazon from one of my links and start adding items to your cart, I’ll get a small cut of whatever you buy as long as the orders is completed within 24 hours. And if you don’t want to help me out, at least use the links of someone else in the Amazon affiliate program when shopping on Amazon; it costs you nothing and helps out internet creators.

Monday, July 20, 2020

Monorail Bombardier Mark VI N Scale 1:160 Disney World



Here is my latest model, the Disney World Monorail Train in 1:160 N scale. The model files are available for sale to print at home on a resin 3D printer or the model parts are available at Shapeways.

To get the model at Shapeways use these links: No longer available through Shapeways

Or purchase the files at CG Trader here: https://www.cgtrader.com/3d-print-models/miniatures/vehicles/monorail-bombardier-mark-vi-cab-and-cars-n-1-160-disney-world

The Disney World monorail consists of a cab unit on each end and four cars in the middle, making a total of six pieces of rolling stock. The Bombardier Mark VI monorail began being used at Disney World in 1989 and continues to be used to the present (2020).

The model includes windows, main wheels/axles, side wheels/axles, diaphragms, and interior seats/walls.

Windows and 3D printing remain an issue. The simplest solution is to just paint the windows gloss black (or a smoky dark gloss color). The obvious downside of that method is that it blocks out the view of the interior. Personally, I'll likely just use the opaque gloss painted windows technique. The interior detail is also structural so having it not visible doesn't much matter. The windshield is the difficult part to make transparent because the side windows could be modeled with regular clear plastic or window tinting. 3D prints are generally too rough to be truly transparent even when printed in clear resin. Vacuum forming could be used to make the windshield if you have such equipment; you'd have to print out a slightly shrunken windshield, sand it smooth, make a mold, and cast it in a heat tolerant material like hydrocal plaster. The other option is to do all the same steps but at full size, and instead of casting in hydrocal cast in a clear resin. The fact that the windows are tinted makes the opaque painting option most appealing.

For painting in the Disney paint scheme, I also made nose stripe masking blocks to more easily and accurately achieve symmetry. The masking block file is free to download here. Also get a free track section file here.

I also made some files for printing decals and perhaps cutting windows that you can download here:
PDF
Illustrator
Window Template


Here are all the current ways to buy:

Get the files directly for home printing:
CG Trader




Wednesday, July 8, 2020

Railroad Freight Car Builder Marks/Logos


Here are some railroad freight car builder marks/logos I’ve made over the years in vector art form. The logos are usually hard to see and read in photos and as decals. These marks are particularly useful for making decals for some Seaboard Air Line SAL, Atlantic Coast Line ACL, and Seaboard Coast Line SCL cars.

Bethlehem Steel Johnstown Plant
Pullman Standard Car Manufacturing Company Bessemer Alabama
ACF American Car and Foundry Co. Huntington Plant
Greenville Steel Car Company Greenville Pennsylvania


Wednesday, May 20, 2020

New Extra Detailed HO Scale Back to the Future 3D Print Model with Functional Doors and Interior Detail


This model is a better more detailed alternative to the HO Back to the Future DeLorean models I’ve had up for sale on Shapeways for a number of years... which are limited by Shapeways’ design specs for sellable models... the sellable design specs require extra bulk and sturdiness. The old models are still fine and with some decent craftsmanship can make for nice sturdy DeLorean models. But if you want more detail this is the model for you. This new model is too detailed and therefore too delicate to sell on Shapeways. Nonetheless, you can still have Shapeways print it for you using the “print anyway” option at checkout on Shapeways by purchasing the files and uploading them to Shapeways yourself. Alternatively, if you have a resin 3D printer you can print the files out using that. There are two sets of files; one set of separate part files for home resin 3D printing and the other sprued files for uploading to Shapeways. The files are sold at CG Trader. Alternatively, you can buy the files directly from me by contacting me through Shapeways. Here is the file Purchase Link.



https://www.cgtrader.com/3d-print-models/miniatures/sci-fi/ho-scale-back-to-the-future-3d-print-model-l-1-87

Friday, September 27, 2019

Sketchup for Backdrops

I have an article in the Model Railroader Magazine November 2019 issue titled Sketchup for Backdrops. If you'd like me to do for you what I describe in the article, I'm available for hire to make 3-D designed backdrop structures. It's a bit easier and therefore less time consuming than making a printable 3-D model.